Please pardon our dust. Our team is hard at work standardizing and improving our database content. If you need assistance, please contact us.

Summary

<p>Mira Nakashima, 1993. Photograph by Jack Rosen. Image courtesy of Mira Nakashima.</p>

"Mira is not only maintaining her father's legacy and reputation but continuing his work in a literal hands-on sense."

Mira Nakashima was born in Seattle, Washington in 1942. As an infant, Nakashima and her family were moved to Idaho and placed into an internment camp. Antonin Raymond, a colleague of Mira's father, sponsored the family's release and invited them to his home in New Hope, Pennsylvania. While attending private school in Solebury, Nakashima was given the opportunity to develop her interest and skills in classical music, mathematics, and languages. She is an accomplished flutist and contemplated pursuing a variety of interests before focusing on architecture in college.

Nakashima graduated cum laude from Harvard University and later earned her masters in architecture at Waseda Unversity in Japan. Architecture school was predominantly pursed by men, especially in Japan. Nakashima said, "My friends and I were conscious about that we were a little odd. We were in a man's field, but we just didn't think anything about it" (Metropolis, March 2008). Her many projects include design and supervision of construction of Steve Rockefeller's passive solar home in Vermont with Tetsu Amagasu (1982-1983).

After graduate school, Nakashima returned home to Bucks County to work with her father, George Nakashima, the internationally known craftsman of wood furniture. After her father's death in 1990, Nakashima became Vice President, Designer, and Shop Supervisor at Nakashima Studios.

In addition to keeping her father's designs alive, Nakashima has her own catalog of works, Keisho, meaning continuation or succession. While her designs are reminiscent of her father's, it is obvious that she has taken it a step further by experimenting with new angles and structural details. She has designed sanctuary furnishings for St. George's Church in Titusville, New Jersey (1991-1992), the George Nakashima Memorial Reading Room for the Michener Art Museum (1993), and a flat seated musician's chair with a T-shaped back for the performers of the Concordia Chamber Players (2003).

Another project Nakashima worked on includes completing her father's vision of building and placing peace altars on the seven continents. The first was Peace Table, completed in 1986 while George Nakashima was still alive, and is located in New York City at the Cathedral of St. John the Divine. Nakashima has since overseen the installation of two more tables, located in India at the Unity Pavilion in the City of Peace, Auroville, (1996) and at the Academy of Art in Moscow, Russia (2001). The fourth table is to be installed in Cape Town, South Africa, at the Desmond Tutu Peace Center.

In September of 2008, Nakashima and brother, Kevin Nakashima, presented the Michener Art Museum with the Nakashima Archives. Guests were invited to witness a traditional Japanese tea ceremony in the Minguren Arts Building in honor of their father's legacy and the official signing of the Agreement for the Gift of Archives. Her works are presently on display in a new permanent installation at the Michener Art Museum entitled Intelligent Design, which opened in 2012. Additionally, Nakashima Looks: Studio Furniture at the Michener, which was guest curated by Nakashima, was on display through 2019.

Mira Nakashima, 1993. Photograph by Jack Rosen. Image courtesy of Mira Nakashima.

Browse Artists

search
Search Database