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Summary

Ethel Wallace. Photograph by Peggy Lewis, 1958. Image courtesy of Peggy Lewis.

Ethel R. Wallace was a modernist that worked in several media, including batik, textiles, and landscape and portrait painting. After studying still life painting with William Langson Lathrop and attending the Pennsylvania Academy of the Fine Arts, Wallace moved to New York City. There, she was influenced by the futurism of Joseph Stella. She was also acquainted with vocalist Eva Gauthier, who introduced her to the Javanese process of batik, which was a method of dying textiles. Wallace's textile art, specifically with batik on velvet and silk, pioneered the process and concept of batik portraits, and brought her great renown during the 1920s. Gertrude Vanderbilt Whitney, founder of the Whitney Museum of American Art, notably mounted an exhibition of Wallace's work in her New York studio. Additionally, Wallace exhibited in New York, London, and Paris. In 1925, she returned to New Hope from Europe and settled in a remodeled building near her father's grist mill. While there, she worked with Charles F. Ramsey and other artists on a collection of designs for batik curtains. One of her last major undertakings was a batik painting on velvet for the Governor's chair in the Pennsylvania Legislature, executed in the 1940s.
In 2023, the James A. Michener Art Museum held the first major solo exhibition of Ethel Wallace's work, called Ethel Wallace: Modern Rebel. A catalog with the same name and published by the Museum accompanied the exhibition.

Ethel Wallace. Photograph by Peggy Lewis, 1958. Image courtesy of Peggy Lewis.

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